Andy's first week of college, he called me at eleven at night to ask how to boil an egg. Not how long. How. I'm Deb, Andy's mom, and I talked him through it, step by step, while he held the phone next to the pot so I could hear the water. It took forty minutes. I have never been happier to be woken up. After that, he called every week with a new question. How to get wine out of a carpet. How to iron a shirt. Whether you can microwave a fork. You can't. He found out. I thought the calls would stop once he'd figured it all out. They didn't. They just changed. They were about his job, and his
Mother of the groom speech examples that don't sound copied
Every part marked up, so you can see how the speech is built.
Mother of the groom speech examples
Written to be said out loud, not read. Each one a different voice, so you can hear which sounds like you.
Everything on your plate tonight, I made. All six pans of lasagna. Nico told me to get it catered. I told him I'd think about it, and then I didn't. I'm Teresa, Nico's mom, and welcome to our family's dinner. Mike and Laura, thank you for sharing this weekend with us, and everyone who flew in, thank you. There's more in the kitchen, and I will be checking your plates. When Nico was ten, he tried to make me lasagna for my birthday. He forgot the noodles. It was a very large pan of sauce and cheese. I had two helpings and told him it was the best lasagna I'd ever eaten, and he's been cooking
For four years, every Sunday, my son drove two hours each way to play gin rummy with his grandmother. He was twenty-three when it started, the year my mother moved into assisted living and stopped wanting to see anybody. Caleb didn't ask her if she wanted company. He just showed up with a deck of cards and the lemon cookies she likes, and he lost. Every week, he lost. She told everyone he was the worst card player she'd ever met, and she said it with enormous satisfaction. I'm Janet, Caleb's mom. I didn't know about the Sundays until one of the nurses told me. He never mentioned it. Sophie,
I've been told the mother of the groom has two jobs: wear beige and say nothing. I'm wearing beige. I'm Lorraine, Dylan's mom, and I'll be quick, because Erin's mother has already done this beautifully, and Dylan is looking at me the way he did when I brought his lunch to his middle school. Dylan was a very shy boy. He hid behind my legs at every birthday party until he was seven. At his first school dance, he spent two hours in the bathroom, and then he came out and asked the only other kid standing by the wall to dance. They didn't really dance. They mostly stood by the wall together, but
From the age of four to five, Harry wore his wellies to bed. Every night. We tried taking them off once he was asleep, and he woke up and cried until we put them back on. I'm Pauline, Harry's mum. Keith and I would like to welcome Freya's family, and say a proper thank you to Stuart and Alison for making us feel at home from the very first Sunday roast. We never found out why the wellies. When we asked, he said, "In case." In case of what, he wouldn't say. He's been an in-case person ever since. He carries plasters. He keeps a torch in the glovebox. He's the one you ring when anything goes
Good evening. I'm Beverly, Cole's mom, and I'll keep this short, because I've already cried twice today and the night is young. Cole, you were the kid who always saved the last cookie for someone else. Usually me. Nadia, the first time you came to our house, you cut the last slice of pie in half and gave Cole the bigger piece. I noticed. So did he. Please raise your glasses to Nadia and Cole.
One mother of the groom speech, taken apart
Margo's speech at her son James's wedding, with every part labelled and synced to the video. Tap any word to jump there.
Opening0:33
Tonight, I'm overwhelmed with memories and emotions. It seems only yesterday that James was a little boy with blonde hair, in a superhero costume, running around the house and playing with his toy trains and building all that Lego. And now, here he is, all grown up and about to start a family of his own. Life I've learned is a series of moments, some big, some small, and all significant in their own special way.
Why it works: She starts with one picture: James as a little boy in a superhero costume, running around the house. Then the idea the rest of the speech follows: life is a series of moments, some big, some small.
Who I am0:11
James, I remember holding you for the very first time, marvelling at your tiny fingers and toes and promising to love and protect you always.
Why it works: She never says who she is, and doesn't need to. Remembering the first time she held him says it for her.
The memories0:52
All those milestones and moments, first words, first smiles, first steps, first day of school, first falling over and breaking a bone, watching you grow up into the most amazing person you are today has been one of my greatest joys. I have watched you face challenges with grit and determination, and that's just who you are, someone who sets their mind to something and achieve it, no matter what the obstacle. I'm so proud of you and what you have achieved so far. And remember, you'll always be my superhero, even if you're not wearing a cape today.
Why it works: There's no single story here. It's a quick run of firsts (first words, first steps, the first broken bone), and then the superhero from the opening comes back: “you'll always be my superhero, even if you're not wearing a cape today.” Without one big story, one picture you come back to can hold a speech together.
The result: the superhero line gets a round of applause.
Turn to them0:44
Molly, from the day that I met you, I knew you were special. The way James' eyes light up when he looks at you, the way that you encourage and support him, it's everything a mother could wish for for her son. Thank you for loving him so completely and making him so happy. You look absolutely beautiful in your dress, or dresses, tonight, and your organisation and attention to detail has been nothing short of amazing. So thank you, Molly, for organising tonight. A big round of applause for Molly.
Why it works: She talks to Molly directly and thanks her for specific things: the way James lights up around her, and organising the whole night. Then she gives the room a job: a round of applause for Molly.
The result: the room applauds Molly.
The toast0:54
And, so here we are today, another pivotal life moment. To James and Molly, today you start writing your chapter together. Remember, your story won't be just all about the big moments, the milestones and the celebrations. There'll be lots of ups and downs. And remember, it is also about the quiet moments, the shared laughter, the comfortable silence, and the everyday snippets of kindness. Remember, the greatest adventures often begin with a single step. And today, you've taken that first step together, hand in hand. So, on that note, I'd like everyone to raise their glasses to James and Molly.
Why it works: She picks up her opening idea, moments big and small, and turns it into advice for the marriage. Then glasses up to both names.
The result: the room raises its glasses with her.
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How to start, and how to finish
The two hardest sentences to write are the first and the last. Take one of these, or let it show you the shape.
Openers
None of them “for those who don’t know me”.
“The nurse handed Daniel to me and said, ‘This one's going to talk.’”
“Daniel called me from a parking lot after his first date with Emma. He had never done that.”
“At six, Daniel announced he'd marry whoever could beat him at checkers.”
“The first time Emma came to dinner, she did the dishes before I could stop her.”
“Ruth and I started a group chat the day Emma and Daniel got engaged. It has four hundred messages.”
“I asked Daniel what he wanted tonight. He said, ‘Good food and short speeches.’”
“Last week I found Daniel's kindergarten drawing of our family.”
“The year it was just the two of us, Daniel learned to fold a fitted sheet. Nobody else in this family can.”
“Daniel's dad and I split this speech. I got the crying, and he got the jokes.”
“Daniel asked me to help pick the ring. Then he ignored everything I said.”
Closers
How to land the toast.
“He's never stopped talking. He finally found someone worth listening to. Please raise your glasses to Emma and Daniel.”
“He still calls from parking lots. Now it's to ask what Emma would like. Glasses up, to Emma and Daniel.”
“Emma, I hear it took you three moves. To Emma and Daniel.”
“Emma, you're off dish duty for life. You're family now. To Emma and Daniel.”
“Ruth, here's to four hundred more. To Emma and Daniel.”
“The food's here, so I'll keep my end of the deal. To Emma and Daniel. Let's eat.”
“Daniel, you're going to need a new drawing. Someone's missing from it. To Emma and Daniel.”
“He still folds the fitted sheets. Now there are two sides of the bed. To Emma and Daniel.”
“I've done my part. Would you all raise a glass with me? To Emma and Daniel.”
“He was right to ignore me. He got the ring right, and he got everything else right too. To Emma and Daniel.”
Good questions, quick answers
Does the mother of the groom give a speech?
She can, and more mothers do now, but she doesn't have to. By tradition the groom's parents speak at the rehearsal dinner, since they host it, and not every family puts her in the reception's toast order. Agree on your slot with the couple ahead of time rather than on the day.
Should I speak at the rehearsal dinner, the reception, or both?
The rehearsal dinner is the traditional place, and the smaller room suits a more personal story. The reception works too if the couple asks. If you speak at both, tell a different story at each: a small moment at the rehearsal dinner, the bigger one at the reception.
Should I speak with the groom's father, or instead of him?
Traditionally the father speaks, but it's perfectly fine for you to say a few words too. If you speak together, trade whole paragraphs rather than alternating sentences, and rehearse it more than you would a solo speech. If you speak separately, split the topics so you don't both tell the same childhood story.
How do I welcome the bride and her family?
Turn to the bride, say her name, and describe one specific thing you've seen her do with your son. Then one sentence to her parents, by name, is enough. Skip lines that sound like loss or reluctance, like "Take care of my baby" or "I'm not losing a son."
What can I say about my son without embarrassing him?
Tell one story, not a montage, and pick one that shows something about him that's still true. Gentle teasing is fine. Leave out exes, anything from the bachelor party, and jokes at the bride's expense, and if a story feels risky, run it past him first.
How do I mention his late father?
Keep it short and tender: one sentence that names the absence, one about his love or how proud he'd be, then turn back to the couple. If you're speaking in his place at the rehearsal dinner, you can give the first toast of the evening yourself.
Speaking in a different seat?
You have the shape of it now
The five parts are the same every time. The story in the middle is the part only you have, so that is the part we ask you for.
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